Pineda Covalín is a 100% Mexican fashion design company which uses traditional patterns, figures and images from native Mexican cultures such as Mayan and Aztec. This company was created by two young designers, Cristina Pineda and Ricardo Covalín.
The brand has expanded itself to many countries of the American continent and some in Asia as well such as Japan. The most recent and famous creation of this brand is the figure of a xoloitzcuintli, a native Mexican dog which has been called the mascot of Mexico.
Globalize Mexican Culture
With a very precise approach employers say that they want to globalize Mexican designs and make collections for many different countries. For example, currently collaborate in Spain with Aldeasa in bullfighting and flamenco-themed airport shops and prepare a collection to South America.
Respect to the stores they have two in Mexico City, one in Miami and one in Madrid, having presence in the English Court of Spain.
The company collections are inspired in the pre-Hispanic Mexico, traditions, history and nature and a collection of Mexican painters: Frida Kahlo, Diego Rivera, José Luis Cuevas, Rafael Cauduro, David Correa, and Heriberto Juárez, among others.
The success of the company lies in the deployment of color that comes from the cultural heritage, as well as in the search for new generations by rescuing the roots both in the country and abroad.
Bicentennial Collection
The fashion brand Pineda Covalín presented a special collection for the Bicentennial in the Estate of San Antonio, Comala, Colima. Here there were presented truly Mexican inspirations that evoke to the celebration of the Bicentennial. From May 21 to 23 the Estate of San Antonio in Comala, became the headquarters for the presentation of the collection autumn - winter of Pineda Covalín that inspires itself by the feasts of the Centenary and the Bicentennial. The designs that they presented are inspired in: Mexican toys, pre-Hispanic instruments, the map of the bicentennial, Tehuantepec, the Centenary of the Revolution, decorated mud pottery and the Bicentennial itself